Home to an inspiring mix of luxury design houses, independent companies, flagship showrooms and over 600 international brands, Design Centre, Chelsea Harbour is the largest of its kind in Europe. Its unique sense of community, commitment to creative excellence and specialist expertise make it the first port of call for professional designers and architects sourcing for residential and commercial projects, as well as design enthusiasts seeking design and decoration inspiration for their own homes.
The Design Centre hosts two ‘must-attend’ events each year to celebrate the new showroom collections. London Design Week takes in March to showcases spring/summer launches, and Focus is held every September to unveil the latest autumn/winter showstoppers. This year, Focus/24 sees a new approach when the well-established design and decoration show (16 – 20 September), will be augmented by Focus/24: The Longer View (23 September – 11 October). Aimed to coincide to a time when the vibrant London scene is buzzing with art and design, it will bring refreshed creativity to the Design Centre, with opportunities for visitors to see more inspirational exhibitors for a longer period.
Adding another layer to the programme is Future Heritage, an installation showcasing work by contemporary craftmakers. With a track record for spotting the next big thing, curator and design journalist Corinne Julius has carefully selected works from makers including Borja Moranta, Tessa Silva, Nicholas Lees, Ane Christensen, Richard McVetis, Elliott Denny and Esna Su. With interior design placing ever greater value on craftmanship, visitors and collectors can also learn how to commission unique pieces for projects, get the inside track at discussions and demonstrations and discover how materials and finishes have been taken in new, imaginative directions.
Alongside the new launches and a packed programme, visitors look to Focus/24 to keep one step ahead. Following weeks of investigation and sneak peeks of the new fabric, wallpaper, lighting and furniture collections, the Design Centre’s creative director Arabella McNie and wider team identify common threads such as new patterns, motifs, shapes and colour palettes. A voice of authority within the industry, these design directions showcase the latest standout products and the stories behind them, as well as highlight the incredible creativity, expertise and craftsmanship that is fundamental to the Design Centre’s DNA.
In the following round-up, Claire German, CEO of Design Centre, Chelsea Harbour, outlines the design directions for autumn/winter 2024 for finito readers, sharing the narrative of each one through specifics wallcoverings, fabrics and objets. From classic contemporary to cutting-edge; new maximalism to chic simplicity; urbane sophisticate to rural retreat, whatever style you seek, at Focus/24 visitors can expect a bounty of new designs to inspire.
To see these pieces in person, visit Focus/24 between Monday 16 – Friday 20 September where all interior design aficionados are welcome.
Return for more inspiration during Focus/24: The Longer View from Monday 23 September – Friday 11 October.
Pictured: ‘Imari’ plate, Raynaud at SOURCE at Personal Shopping (Second Floor, Design Centre East)
‘Vivacious’ Design Direction
This autumn/winter, design houses are celebrating the artistic, the vibrant and the bold. The aptly titled ‘Vivacious’ design direction is brimming with abstract botanical shapes and lively hues, reminiscent of carnival colours. This is an opportune moment to highlight the ‘Imari’ porcelain plate by Raynaud, available through the Design Centre’s recently launched Source at Personal Shopping service.
In addition to some 40 china and glass brands, it is a veritable treasure trove for tableware, and showcases exquisite creativity, from traditional, ornate and highly coloured patterns through to sleek and bold modern styles. As well as famous heritage brands, such as Herand, Meissen and Royal Crown Derby, we are also proud to introduce newer names who are making waves in the tableware industry, such as ceramicist Deborah Brett. With its elegant interpretation, the ‘Imari’ plate (pictured here) embodies the ‘Vivacious’ design direction.
Pictured: ‘Harlequin with Fiddle’ , Luke Edward Hall x Rubell, Rubelli (Ground Floor, Design Centre East)
‘Hooked on Classics’ Design Direction
Another key design direction for this season is ‘Hooked on Classics’. Theatrical in nature, it is rooted in a classical approach, but there is a modern twist throughout. The colour palette is reminiscent of a country house with an abundance of blues, greens, golds, reds, and pinks. We find a play on the past here, with whimsical upgrades on furniture shapes that still allude to tradition. Rubelli’s upcoming collaboration with English artist and designer Luke Edward Hall really symbolises that.
From the ‘Baroque Fountain’ which depicts a nautical scene with double dolphins and gushing water, to the ‘Harlequin with Fiddle’ wallcovering (pictured here) which shows a circus performer on stage during the improvised theatre of 16th-century Italy. Rubelli, the Venetian family-run company now in its fifth generation, designs and manufactures furnishing fabrics for residential and contract use. Globally distributed, its portfolio includes Rubelli Venezia, Rubelli Casa and Dominique Kieffer by Rubelli.
Pictured: ‘Charlotte’ wallcovering, Claire de Quénetain at August + Co (Second Floor, North Dome)
‘Cactus Flower’ Design Direction
The ‘Cactus Flower’ design direction is aptly named because of its refreshing colour palette, featuring aqua, prickly pear pink, spearmint green and sky blue. Epitomising this perfectly, we have ‘Charlotte’ by Claire de Quénetain at August + Co, available as both a wallcovering and a fabric. Known for her uplifting, stylised patterns, de Quénetain is a French surface designer whose fluid, illustrative aesthetic has seen her work chosen by renowned interior designers such as Laura Gonzalez for collaborations.
She is a perfect brand for August + Co, whose curated space at the Design Centre converges innovation and artistry. From textile artisans to furniture visionaries, the showroom brings together a carefully chosen collective of British and European craftspeople and makers, shaping a dialogue between form and function, beauty and utility.
Pictured: ‘Drawing Room’ painting by Angela Murray at Quote & Curate (First Floor, Design Centre East)
‘Brushstroke’ Design Direction
Artfully inspired, the Design Centre has identified the ‘Brushstroke’ design direction as a dream-like trend featuring ink splots and impressionist dots that evoke misty landscapes. The artist’s palette comfortably mixes dreamy pastels with nighttime tones of teal, indigo and smoke. Here, we must mention the ‘Drawing Room’ painting by artist Angela Murray of Quote & Curate, a new studio, gallery space and art consultancy at the Design Centre. Visitors to Focus/24 will be able to visit Angela’s showroom in Design Centre East, as well as see her work via a pop-up exhibit in the Design Avenue, in situ for the duration of the show.
Pictured: The ‘Avalon’ rug, Jeffrey Alan Marks for The Rug Company (Ground Floor, Design Centre North)
‘Sgraffito’ Design Direction
‘Sgraffito’ is derived from the Italian word ‘to scratch’, so it should be no surprise that the ‘Sgraffito’ design direction is inspired by the technique that involves scratching a motif or image into clay, often revealing a secondary colour below the surface slip. It is a technique that has been around since classical times, with examples adorning walls, ceramics and paintings in grand houses and palaces around the globe from as far back as the 6th century.
This direction is angular and spirited, and features zigzags, chevrons and triangles, often in a simple two-tone colour combination. Starting with a base of warm neutrals and layered in earthy colours, the palette reflects the pigments that have been used for centuries to decorate ceramics. A standout piece for this direction is the ‘Avalon’ rug by Jeffrey Alan Marks for The Rug Company, which embodies the scratchy, free-spirited nature of ‘Sgraffito.’ Since its inception in 1997, The Rug Company has collaborated with the world’s leading creatives across fashion, art and architecture, while a talented in-house studio pioneers each design with unparalleled expertise. They can be found in Design Centre North showcasing rugs of expert craftsmanship and innovative design.
Pictured: ‘Cordes Sensibles’, Foliage collection, Veronique de Soultrait at Elitis (First Floor, North Dome)
‘Elemental’ Design Direction
When it comes to the ‘Elemental’ design direction, we are being transported to a place full of rugged cliffs, stony beaches and hidden lagoons. This look is all about dry textures that are reminiscent of erosion. We can see patterns that evoke memories of the movement of water on sand and rock. Here, we must spotlight a wallcovering from the Foliage collection by Veronique de Soultrait, in collaboration with Elitis. The showroom offers beautiful fabrics, wallcovering and home accessories, as well as high-end interior brands from around the world.
The thrill of discovery is something the Design Centre strives to bring to every visitor, helping people discover great design, and supporting those doing it best. Free to register, secure your place at Focus/24 and see the new collections in-person alongside a packed calendar of workshops, masterclasses and talks: www.dcch.co.uk
